This blog is about the numerous cameras I have acquired on the numerous fleamarkets I have visited. Located in Ostend, Belgium.
Friday, 26 June 2009
N°30 : Canon-FTb
Popular Canon, heavy camera, with a bottle-bottom huge glassed lens.
1971, I was just born.
Bought for 10 Euro, Adinkerke, Belgium.
N°29 : Yashica Samurai
N°28 : Fujica Half
Tuesday, 23 June 2009
N°18 : Rollei Ratcam
N°17 : Nr 24 Brownie
N°15 : Veriwide & Very Wide
When 3 tenors of photographic equipment worked togheter, a legend was born.
The viewer is made by Leitz (Leica), the lens by Schneider-Kreuznach; that’s for the German part, and the case is from Brooks-Plaubel; the American part. The camera was made from the mid 50’s till the mid 60’s. About 30.000 were produced. On the camera you can see the inscription : New York – Frankfurt a/M, beautiful.
The Veriwide 100, has his name from the angle of view it takes : 100° and is ...very very wide.
This is the equivalent of a 18.5mm on 35mm film.
But the great thing about the camera is, it’s on medium format. You can shoot 7 images on a 120 film with a huge size of neg : 6x10cm, for every picture.
The camera is very compact for a mediumformat, weights a bit more then a kilogram and is easy to carry.
I found this camera in a pile of junk on a Belgian fleamarket. The shutter was broken. After Googling for a while, I found a camera-repairsman that could fix it. And there goes the camera with airpost, from Belgium to the US. After a month impatiently waiting the camera, I had a letter from the custom that they made an investigation on the camera and I had to explain from where this camera came, and why I have to send it to the US for repair. I still doesn’t understand... But the camera was wonderfully repaired and the glass was cleaned fine.
The lens has this softness that caracterise early lenses, when you shoot in the sun it’s vignetting, and the corners are a bit difformed, like you can have on a pinhole.
It has speeds from bulb till 1/500 sec and f 8 till 32. Enough to have a correct exposure on any circumstance.
The viewer is made by Leitz (Leica), the lens by Schneider-Kreuznach; that’s for the German part, and the case is from Brooks-Plaubel; the American part. The camera was made from the mid 50’s till the mid 60’s. About 30.000 were produced. On the camera you can see the inscription : New York – Frankfurt a/M, beautiful.
The Veriwide 100, has his name from the angle of view it takes : 100° and is ...very very wide.
This is the equivalent of a 18.5mm on 35mm film.
But the great thing about the camera is, it’s on medium format. You can shoot 7 images on a 120 film with a huge size of neg : 6x10cm, for every picture.
The camera is very compact for a mediumformat, weights a bit more then a kilogram and is easy to carry.
I found this camera in a pile of junk on a Belgian fleamarket. The shutter was broken. After Googling for a while, I found a camera-repairsman that could fix it. And there goes the camera with airpost, from Belgium to the US. After a month impatiently waiting the camera, I had a letter from the custom that they made an investigation on the camera and I had to explain from where this camera came, and why I have to send it to the US for repair. I still doesn’t understand... But the camera was wonderfully repaired and the glass was cleaned fine.
The lens has this softness that caracterise early lenses, when you shoot in the sun it’s vignetting, and the corners are a bit difformed, like you can have on a pinhole.
It has speeds from bulb till 1/500 sec and f 8 till 32. Enough to have a correct exposure on any circumstance.
Bought for 10 Euro, repaired for 140 Euro, Ostend, Belgium.
N°14 : 24 x 24 : Altix
This Altix camera has the rare photographic negativesize of 24x24mm.
It allows you to shoot on a 24x36 film of 36 pictures, about 50 pictures of 24x24mm.
The camera is very compact and about the size of Olympus Pen.
There is no metering and the shutter must be loaded manually after winding the film by one of the 2 upper rollers.
Is it an alternative for the 6X6, probably not but rather a tryout from Altix to open a new market with this new format.
The viewer is really small and doesn't have parralax compensation.
The Altix is nicely finished with at the back german inscription how to open the can and to relase the film.
It allows you to shoot on a 24x36 film of 36 pictures, about 50 pictures of 24x24mm.
The camera is very compact and about the size of Olympus Pen.
There is no metering and the shutter must be loaded manually after winding the film by one of the 2 upper rollers.
Is it an alternative for the 6X6, probably not but rather a tryout from Altix to open a new market with this new format.
The viewer is really small and doesn't have parralax compensation.
The Altix is nicely finished with at the back german inscription how to open the can and to relase the film.
Bought for 30 Euro, Ebay.
N°12 : Goldy Pentina
N°10 : Idiotica
N°8 : Petri Racer
Something wrong?
By his name it should be a fast camera.
When you use the wideangle convertor on the camera, the lightmeter cell is covered by the addonlens.
Well, to make a good exposure, you have to meter the light first, adjust aperture and speed, screw the converter on the camera, plug the viewer on the flashshoe, and take a view and shoot.
That was fast...
Oh, I forget,... I don't know how many stops down do I have to compensate the addon lens?
Technology at his best.
By his name it should be a fast camera.
When you use the wideangle convertor on the camera, the lightmeter cell is covered by the addonlens.
Well, to make a good exposure, you have to meter the light first, adjust aperture and speed, screw the converter on the camera, plug the viewer on the flashshoe, and take a view and shoot.
That was fast...
Oh, I forget,... I don't know how many stops down do I have to compensate the addon lens?
Technology at his best.
Bought for 5 Euro, Bruges, Belgium.
N°7 : Caramba, it's a Miranda.
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